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Dec 01, 2004
The Dragon and the Pearl
Dragons Pearl offers Chinese Take Away tailored to you: Msg Free Low Calorie Options Vegetarian Options Gluten Free Options All major Credit & Debit cards accepted. This article is about the book. For the item, see Dragon Pearl (Item). Dragon Pearl is a standalone novel written by Yoon Ha Lee and published by Rick Riordan Presents. It was released on January 15, 2019. 1 Synopsis 2 Development 3 Plot 3.1 An Investigator Shows Up 3.2 Running Away to Hongok 3.3 Working for Nari 3.4 Aboard the Red Azalea 3.5 Working on the Pale Lightning 3.6 Escaping with.
A reborn version of Pearls, Pixies, and Dragons from 2019. Major changes include built-in documentation, and the Chocolate Quest Repoured mod.-This modpack features immersive world generation. Many new biomes have been added, including underground biomes. Sounds are more immersive, the sky is more vibrant, and water will fizzle when placed.
East-Asian dragons are almost invariably portrayed with a red sphere in their mouths, in front of their mouths, or-- as in Javanese art--on top of their heads. In the famous lantern procession celebrated by Chinese people on the 15th of the first month, the red sphere precedes the dragon. This sphere is called huoh chuh, 'fire pearl'. Shown here is a Buddhist gong-hanger produced in 18th- or 19th-century Korea. The flames that erupt from the pearl in some representations parallel the flames exhaled by dragons in other traditions. But what does the red sphere signify? And where does the image of the dragon itself come from?
Scholars agree that the pearl is celestial. Show open windows mac. But does it signify the moon, as some have suggested? Or is it the Sun, as others have claimed? The spiral inscribed upon the pearl remains an enigma.
Some specialists emphasize the pearl's connection with thunder. An ancient Chinese charm declares that 'a spiral denotes the rolling of thunder from which issues a flash of lightning.' Could this apply to the spiral imagery attached to the dragon ball? The comparative symbolist, G Elliot Smith, believed so: The dragon's red ball with engraved spiral, 'which was believed to have fallen from the sky, was homologized with the thunderbolt'. A Korean piece of art in Deoksugung Palace, Seoul, depicts the red pearl between the two dragons in the traditional shape of the Indian vajra or lightning image.
The lightning theory would interpret the pearl as a Chinese variation on the universal motif of the thunderstone. The common belief held that thunderstones fall from the sky during thunderstorms or battles of the gods. Thus huoh chuh, the Chinese designation of the pearl, also means 'meteorite'. A widespread superstition warns that when the blue dragon and the yellow dragon battle in heaven, fire balls and pearls fall to the ground. Some gemstones, known as 'dragon's eggs', were believed to cause thunderstorms: When the egg hatched, a young dragon would ascend to the sky amid thunder, lightning, rain, and darkness. A large body of folklore delineates the connection of the dragon with a stone, egg, or ball that produces lightning.
Any explanation for the Chinese dragon pearl must apply to similar traditions found across the globe. The Vedic dragon Vritra concealed the sun. The 'Worm' encountered by Arthur's knight Peredur had a stone in its tail that had the ability to turn everything into gold. Uncegila, a serpent in the mythology of the Brulé Sioux, had an ice-cold heart 'made of flashing red crystal'. The Caribs of Dominica believed in a serpent with a sparkling stone on its head, described as an eye. And scores of other dragons around the world swallowed, enclosed, or carried similar spherical objects, alternately identified as the sun, an egg, an eye, the heart or soul of the serpent, or a precious stone.
The catastrophist model interprets the serpent and the sphere as a vagrant luminous object in the sky accompanied by glowing plasma effects. One might interpret the serpent and the ball as the tail and nucleus of a comet. But modern-day comets fail to explain the detailed agreement between the universal traditions. Something much more profound must have inspired the image. Today, several independent researchers connect both the enclosing serpent and the primordial 'sun' to the axis mundi, a column said to have once risen from the earth to the sky. This suggests that the cross-cultural theme of the glowing serpent and orb might have been inspired by intense plasma discharge in the heavens, perhaps comparable to the aurora, but much more powerful. We know from plasma experiments that such effects would likely include the cosmic 'thunderbolt' described in early traditions.
Contributed by Rens van der Sluijs
The Dragon & the Pearl is a Chinese Theatre play. Thanks to one naughty little monkey, two folktales become inextricably tangled. The first centers around Pearl. With both a wicked stepmother and stepsister to boss her around, she's a regular Cinderella story; her fairy godmother, however, is more of a benevolent dragon. The second tale centers around a real pearl—the Imperial Pearl. After the monkey steals it from the palace, the emperor sends his sons, San and Ping, to retrieve it from the clutches of the evil dragon. Naturally, the two princes cross paths with the two girls, and regal romance ensues. This exciting play also includes added materials including improvisation and acting exercises, a project for students and questions for discussion and research. You can find these other fantastic plays by August Mergelman in our Script Library: Spider Besider, Fancy Nancy & the Ants, Persephone, The Magpies, By Jove, A Merry Interlude at Camelot, Mum's the Word, The Vixen, Couth, Pantalone's New Pantalones, The Honest Impostor, The Weaver Girl & the Cowherd, Polly Peachum & the Pirates, Lady Scottish Play, Penny from Heaven, The Cat Noir, Trade Trade Secrets, Jackie & the Beans Talk, North Paws.
As a playwright, August Mergelman has one simple goal: to bring classical works to the modern audience. It seems that so many of the world's great dramas are obscured by their own magnitude. August does not believe that any of history's great playwrights would truly want their works to be intimidating or bewildering. First and foremost, they were showman; they crafted their works to be engaging, challenging, and most importantly, entertaining. As a fourth-generation Colorado native, August is proud of his western heritage, which is manifest in several of his western settings. His works have been featured in the Playwrights' Showcase of the Western Region and the Rocky Mountain Theatre Association's Playwrighting Competition.
Excerpt from the play:CAST OF CHARACTERS
Pearl — an orphan turned servant
Widow — Pearl's not-so-gracious stepmother
Merah — Pearl's spoiled, jealous stepsister
Monkey — a clever assistant
Emperor — the benevolent ruler of the land
San — a noble prince
Ping — the less-than-noble heir to the throne
Good Dragon — a granter of wishes
Evil Dragon — a greedy hoarder
First Storyteller
Second Storyteller — briefly plays a jeweler
Third Storyteller
Fourth Storyteller
Fifth Storyteller
Sixth Storyteller
(On a bare stage, there are three chairs and a table, indicating the widow's house. The widow enters right, dressed in black and wielding a fan. Dressed in green and also with a fan, Merah follows. The Storytellers enter left. When the Storytellers speak, they may take center stage. During the action, they may move completely out of sight or simply away from the playing area.)
First Storyteller
Long ago, in a land far away, there lived a widow. In fact, she was a widow twice over—hence the black attire. She had a daughter from her first marriage and a stepdaughter from her second marriage.
Widow
Pearl, get in here!
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Pearl
(Enters right, dressed in blue.) Yes, Stepmother?
Widow
Merah and I are going the market to look for husbands to match our new fans. Online pokies casino.
(In unison, Merah and the widow snap open their fans.)
Widow
Because you've worked so hard today, cooking for us and cleaning the house that I've let you live in, I'm going to do the only kind thing and—
(Pearl, Widow, and Merah freeze.)
Second Storyteller
Pearl was seldom able to leave the house. She desperately wanted to join them.
(Pearl, Widow, and Merah unfreeze.)
Widow
—let you have the rest of the afternoon to yourself here for solitude meditation on how you can be a more obedient and efficient stepdaughter.
(Pearl deflates. Merah and the widow exit right.)
Third Storyteller
Though she put up a cheerful front, on the inside, Pearl was blue—as blue as the deep blue ocean. She missed her loving father, but she always tried to find the good in everyone.
Pearl
My stepmother has helped me… develop discipline. My stepsister gives me all her hand-me-down clothes, and most of them are pretty nice. Still…
Double the devil slot machine. (Monkey enters left, unseen.)
Pearl
If I had one wish, I'd wish I had the chance to meet a friend. Not one to match my fan—I don't even have a fan—but someone to match my personality—hardworking and kind. And if I had a second wish, I'd wish that being hardworking and kind actually counted for something—something real.
(Monkey chatters. Pearl answers, nonchalant.)
Pearl
No, thank you, Monkey. Two wishes are enough. (Suddenly.) Whoa! Who are you?
(Monkey places a note in Pearl's hand. After a few antics, the monkey exits left.)
Pearl
Monkey, wait! You needn't run away so soon! (Reads.) 'Visit the Good Dragon. Let your heart lead the way.'
Fourth Storyteller
Pearl thought about the consequences she might face for disobeying her stepmother…
(Resolute, Pearl crosses left and exits. Merah peeks her head in right.)
Fifth Storyteller
…and then went straight for the kitchen door! Little did she know, however, that she had been watched. Though Merah enjoyed so much more wealth and privilege than Pearl, she was as green as jade—green with envy. Isn't that the way it always goes?
(Merah takes a few steps on right.)
Widow
(Enters right.) Merah, what's taking you so long? It can't take this long to fetch a measly parasol.
Merah
Mother, you should go on without me. I'm not feeling well. Pearl will take care of me.
Widow
Where is she, anyway?
Merah
She… uh… went to the well to fetch some water… to make me some tea.
Widow
Oh. Well, make sure she doesn't serve it so hot that it burns your sharp little tongue. It's your most admirable quality. (Exits right.)
Merah
(Follows Pearl left.) I'll find out what that disobedient little brat is up to.
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(Merah exits left. The stagehands rearrange the furniture to represent a room in the palace. The Emperor enters right, dressed in purple, admiring his Imperial Pearl.)
Sixth Storyteller
Meanwhile, the Emperor dwelled in his palace, dressed in his regal purple robe, and admired his Imperial Pearl. He wasn't materialistic, but the giant pearl helped him concentrate on important matters. To the people, the Imperial Pearl symbolized the Mandate of Heaven, the right to rule the land.
(Monkey enters left.)
First Storyteller
Though the palace was several days' journey from the widow's house, the swift monkey appeared there almost instantly.
Emperor
Little Monkey, how did you get in here? What's that piece of paper in your paw? Good little monkey, nice little monkey…
(Approaches, but the monkey avoids being caught. After a colorful chase, the monkey leaves the note and exits right with the Imperial Pearl.)
Emperor
No, no! Not the pearl! Naughty little monkey! Come back here! (Picks up the note and reads.) 'Your precious pearl is now the plaything of the Evil Dragon. Don't try to recover it. It's too dangerous.' Heaven help me… Ping! San! Come to me, quickly!
Ping & San
(Enter left.) Yes, Father?
Emperor
The Imperial Pearl has been stolen by a… Well, I didn't get a good look at the robber, but I'm sending you two far away, to the land of the Evil Dragon, to get the pearl back.
Ping & San
Yes, Father.
(They exit right with the Emperor. The stagehands strike the furniture. The scene becomes the top of a mountain, where the Good Dragon, possibly dressed in white, sleeps peacefully. Pearl enters left. Merah follows at a distance.)
Second Storyteller
In no time at all, Pearl's heart lead her to the top of a mountain.
(Pearl walks in a sweeping circle to signify the long journey.)
Second Storyteller
Merah followed at a considerable distance.
(Merah traces the same circle.)
Second Storyteller
Pearl mustered the courage to awaken the Good Dragon. She found its rounded features reassuring, and sure enough, it welcomed her warmly.
Good Dragon
(To Pearl.) Welcome, weary traveler. I have been expecting you. I want to help you with your troubles…
(The dragon hands her a broom.)
Good Dragon
But first, would you mind sweeping out my nest?
Third Storyteller
Pearl was surprised to hear such a request, but she was certainly no stranger to work. As she swept, she told her story. The Good Dragon listened attentively and then spoke.
Good Dragon
Certainly, a girl of your age should meet new friends. I can take care of that. Furthermore, I agree that hard work should count for something real. Casino games win real money. You have the gift of overlooking the bad qualities in people and seeing the good. Pearl is a good name for you, for an oyster does the same thing when it makes a pearl out of its… indigestion. The worse the indigestion, the bigger the pearl. So it will be with you—that is, until the moon is new again. Every time you turn someone's bad qualities good, a pearl will appear.
Pearl
Thank you, Good Dragon. You have been most kind. (Exits left.)
Dragon Pearl Necklace
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